Grayson Perry, the cross-dressing potter, Turner Prize winner and former Times columnist, said that he had consciously avoided commenting on radical Islam in his otherwise highly provocative body of work because of the threat of reprisals.
“I’ve censored myself,” Perry said at a discussion on art and politics organised by the Art Fund. “The reason I haven’t gone all out attacking Islamism in my art is because I feel real fear that someone will slit my throat.”
And of course the Times has to compare the very real threat of murder from Islamic radicals against those they perceive to have insulted their religion with protests from Christians.
Across Europe there is growing evidence that freedom of expression has been curtailed by fear of religious fundamentalism. Robert Redeker, a French philosophy teacher, is in hiding after calling the Koran a “book of extraordinary violence” in Le Figaro in 2006; Spanish villages near Valencia have abandoned a centuries-old tradition of burning effigies of Muhammad to mark the reconquest of Spain, against the Moors; and an opera house in Berlin banned a production of Mozart’s Idomeneo because it depicted the beheading of Muhammad (as well as Jesus and other spiritual leaders).
In Britain the most high-profile examples have also been seen in the theatre, with the campaign by Christian fundamentalists against Jerry Springer: the Opera and the protests in Birmingham that forced the closure of Bezhti, a play about rape and murder in a Sikh temple.Mmm, peaceful protests and trying to kill artists- not quite the same thing, is it?
No comments:
Post a Comment