Monday, June 04, 2007

Setting The Record Straight

Ray Bradbury takes the time to set countless English teachers right about what he actually intended Fahrenheit 451 to be about.

Fahrenheit 451 is not, he says firmly, a story about government censorship. Nor was it a response to Senator Joseph McCarthy, whose investigations had already instilled fear and stifled the creativity of thousands.

This, despite the fact that reviews, critiques and essays over the decades say that is precisely what it is all about. Even Bradbury’s authorized biographer, Sam Weller, in The Bradbury Chronicles, refers to Fahrenheit 451 as a book about censorship.

You have to wonder how hard it is to actually contact a living author and ask him about one of his most important works?

Bradbury, a man living in the creative and industrial center of reality TV and one-hour dramas, says it is, in fact, a story about how television destroys interest in reading literature.

“Television gives you the dates of Napoleon, but not who he was,” Bradbury says, summarizing TV’s content with a single word that he spits out as an epithet: “factoids.” He says this while sitting in a room dominated by a gigantic flat-panel television broadcasting the Fox News Channel, muted, factoids crawling across the bottom of the screen.

The record has officially been set straight- but I wonder just how much longer all those teachers and university lecturers will continue to dish out the censorship/McCarthyism line?

Bradbury imagined a democratic society whose diverse population turns against books: Whites reject Uncle Tom’s Cabin and blacks disapprove of Little Black Sambo. He imagined not just political correctness, but a society so diverse that all groups were “minorities.” He wrote that at first they condensed the books, stripping out more and more offending passages until ultimately all that remained were footnotes, which hardly anyone read. Only after people stopped reading did the state employ firemen to burn books.

For a book published way back in '53 it seems eerily prescient. And Mr. Bradbury, 87 this year and confined to a wheelchair, continues to write-

Beginning in Arizona when his parents bought him a toy typewriter, Bradbury has written a short story a week since the 1930s. Now he dictates his tales over the phone, each weekday between 9 a.m. and noon, to his daughter Alexandria.

It's high time a lot of that material was published!

1 comment:

Bag said...

I just though exactly the same thing as I read he was such a prolific writer. I've read a lot of his stuff but something every week. I don't think I've read a years worth.